(1914-03-11)11 March 1914 London, England, United Kingdom
Died
29 October 1982(1982-10-29) (aged 68) London, England, UK
Occupation(s)
Composer
organist
William Southcombe Lloyd WebberCBE (11 March 1914 – 29 October 1982) was an English organist and composer, achieving some fame as a part of the modern classical music movement yet commercially facing mixed opportunities. Besides his long and prestigious career, composing works ranging from choral pieces to instrumental items and more, he is known for being the father of both fellow composer Andrew Lloyd Webber and virtuoso cellist Julian Lloyd Webber. He also notably served as a teacher, instructing pupils on music theory at the Royal College of Music for a time.[1]
Webber was born in London. The son of William Charles Henry Webber, a self-employed plumber, he was fortunate that his father was a keen organ 'buff' who spent what little money he had travelling to hear various organs in and around the capital. Often he would take his son with him and, before long, young William started to play the organ himself and developed a keen interest that bordered on the obsessional.[2]
By the age of 14, William Lloyd Webber had already become a well-known organ recitalist, giving frequent performances at many important churches and cathedrals throughout Great Britain. He won an organ scholarship to the Mercers' School, later winning a further scholarship to study at the Royal College of Music, where he studied with Ralph Vaughan Williams and gained his FRCO diploma at nineteen. Because there was already another student at the college with the name William Webber, William continued to use his second middle name 'Lloyd' from then on as part of his name.
Contents
1Prolific years
2Selected works
2.1Orchestra
2.2Brass band
2.3Chamber music
2.4Choral
2.5Vocal
2.6Piano
2.7Organ
3Discography
4References
5External links
Prolific years
In 1938, he was appointed Organist and Head of the Choir School at All Saints, Margaret Street, in Marylebone district of London later becoming Musical Director at Westminster Central Hall, London, the headquarters of the Methodist church in the United Kingdom. His first compositions developed in the 1930s. In 1942 he married the pianist and violinist Jean Hermione Johnstone (1921–1993).[3] The marriage, which lasted until his death, produced two sons: composer Andrew (born 1948) and cellist Julian (born 1951).
From 1945 until the mid-1950s, Webber composed vocal and instrumental music, choral and organ works, chamber music and orchestral works. Works from this period include the oratorio St. Francis of Assisi, the orchestral tone-poem Aurora, the Sonatinas for viola and flute, numerous songs, organ pieces and choral works. But Webber's roots were firmly embedded in the romanticism of such composers as Sergei Rachmaninov, Jean Sibelius and César Franck, and he became increasingly convinced that his own music was 'out of step' with the prevailing climate of the time. Rather than compromise his style, he turned to the academic side of British musical life - teaching at the Royal College of Music, directing the choir at Central Hall, Westminster, and, in 1964, accepting the Directorship of the London College of Music, a post which he held until his death in 1982.[2]
Selected works
Orchestra
Lento in E major for string orchestra (1939)
Waltz in E minor for orchestra (1939)
Aurora, Tone Poem for orchestra (1948)
Three Spring Miniatures for small orchestra (1952); orchestration of original piano work
Gossamer (A Little Waltz)
Willow Song (A lament)
Tree Tops (A Toccatina)
Serenade for Strings for string orchestra
I. Barcarolle (1951)
II. Romance (1980)
III. Elegy (1960)
Invocation for harp, timpani and string orchestra (1957)
Brass band
Little Suite for brass
I. Prelude
II. Adagio
III. Festival March
Chamber music
Three Pieces for cello and piano
In the Half-Light (1951)
Air Varié (adapted from Tantum Ergo by César Franck)
Slumber Song
Fantasy Trio in B minor for violin, cello and piano (1936)
Sonatina for flute and piano (1941)
Benedictus for violin and organ (1942)
Nocturne for cello and piano or harp (1948); from the oratorio St. Francis of Assisi
Sonatina for viola and piano (1951)
Air and Variations for clarinet and piano (1952)
Country Impressions (1960)
Mulberry Cottage for flute and piano (1960)
On Frensham Pond, Aquarelle for clarinet and piano (1960)
A Lyric Suite for cello and piano (1964)
Summer Pastures for horn and piano
Suite in B♭ for trumpet and piano
The Gardens at Eastwell, A Late Summer Impression for violin and piano or harp (1982)
Choral
Missa Sanctae Mariae Magdalenae for choir and organ (1979)
Missa Princeps Pacis (The Prince of Peace), mass for chorus and organ (1962)
The Saviour [de], A Meditation upon the Death of Christ for chorus and organ
The Divine Compassion, Sacred Cantata for tenor, baritone, chorus and organ
St. Francis of Assisi, Oratorio for soprano, tenor, baritone, chorus, string orchestra and harp (1948)
Born a King, a Christmas cantata for soloists, chorus and organ
Songs of Spring, Cantata for female chorus and piano
O Lord, Spread Thy Wings O'er Me, Anthem for soprano (or treble voice), chorus and accompaniment
Spirit of God, Anthem for chorus and organ
Dominus Firmamentum Meum, Anthem for chorus and organ
Lo! My Shepherd Is Divine, Anthem for soprano, alto, chorus and organ
Lo, God Is Here, Anthem for chorus and organ
Seven Anthems
Sing the Life, Easter Carol for chorus and accompaniment
A Hymn of Thanksgiving for unison voices and organ
O Love, I Give Myself to Thee for female chorus and organ
O for a Closer Walk with God for chorus and organ
Then Come, All Ye People, Carol for chorus and accompaniment
The Lord Is My Shepherd for chorus and organ
Love Divine, All Loves Excelling for chorus and organ (1964); from The Good Samaritan
Tantum Ergo, Anthem for bass solo, chorus and organ
Jesus, Dear Jesus, Carol for boy treble, children's choir and organ
The Stable Where the Oxen Stood
Most Glorious Lord of Lyfe, Anthem Suitable for Easter for chorus; words by Edmund Spenser
Meeting Place, a Meditation upon the Birth of Christ for baritone, chorus and piano or organ (1964)
Jamie Brown, a Happy Story in Song for two-part chorus and piano (published 1962)
Magnificat and Nunc Dimmitis in E minor
Partsongs
April for female chorus and piano
Corinna's Lute for female chorus and piano
Sun-Gold for female chorus and piano; words by May Sarson
Moon Silver for female chorus and piano
Lament for female chorus and piano
I heard a Rush of Wings for female (or children's) chorus and piano
The Moon for unaccompanied chorus
A Magic Morn for female chorus and piano
The Heather Hills for female chorus and piano
Vocal
The Call of the Morning (1950); words by George Darley
Love, Like a Drop of Dew (1950); words by W. H. Davies
I Looked Out into the Morning (1951); words by James Thomson (B.V.)
Over the Bridge (1951); words by James Thomson (B.V.)
How Do I Love Thee?
The Forest of Wild Thyme (1951)
The Pretty Washer-Maiden; words by William Ernest Henley
To the Wicklow Hills (1954); words by R.G. Leigh
A Rent for Love (1982); words by Irvonwy Morgan
So Lovely the Rose; words by Joseph Murrells
Eutopia; words by Francis Turner Palgrave
The Cottage of Dreams
Lullaby
Spring Is the Time for Love
Three Arias for tenor and organ
And I Saw a New Heaven
The King of Love (from The Saviour)
Thou Art the King (from The Divine Compassion)
Piano
Three Spring Miniatures (1952); also orchestrated
Gossamer (A Little Waltz)
Willow Song (A lament)
Tree Tops (A Toccatina)
Italian Idyll, 3 Piano Duets (1954)
Mattinata
Siesta
Napolitana
Six Pieces
A Song for the Morning (1957); composed under the pseudonym Clive Chapel
Scherzo in G minor
Arabesque
Romantic Evening
Explanation; composed under the pseudonym Clive Chapel
Song without Words
Three Pieces
Presto for Perseus
Autumn Elf
Badinage de Noël
Scenes from Childhood
Cake Walk
Sentimental Waltz
Air
Scherzo
Evening Hymn
China Doll
A Short Tone-Study
River Song for piano 4-hands
Danse Macabre for 2 pianos
Organ
Chorale, Cantilena and Finale
Three Recital Pieces (1952)
Prelude
Barcarolle
Nuptial March
Aria, 13 Pieces
Prelude on St Cross
Choral March
Communion
Solemn Procession
Prelude on Passion Chorale
Prelude on Rockingham
Festal March
Prelude on Gerontius
Aria
Verset
Prelude on Winchester New
Vesper Hymn
Meditation on Stracathro
Reflections, 7 Pieces
Prelude
Slumber Song
Summer Pastures
Romance
Intermezzo
Christ in the Tomb (from The Divine Compassion)
Postlude
Eight Varied Pieces
Arietta in A major
Minuet
Recessional
Andantino alla Cantilena
Introit
Dedication March
Pastorale
Epilogue
Songs without Words, 6 Pieces
Noel Nouvelet
Song without Words
Trumpet Minuet
God Rest You Merry, Gentlemen
The Coventry Carol
Good King Wenceslas
Five Portraits for home organs
Elegy
Six Interludes on Christmas Carols
Interlude on 'The Holly and the Ivy'
Interlude on 'Whence is this goodly fragrance?'
Interlude on 'Noël nouvelet'
Interlude on 'Good King Wenceslas'
Interlude on 'Coventry Carol'
Interlude on 'God Rest You Merry, Gentlemen'
Rhapsody on "Helmsley"
Discography
Music of William Lloyd Webber, (ASV Digital, CD DCA 961, 1996)
Organ Works of William Lloyd Webber, (Priory, PRCD 616, 1998)
William Lloyd Webber piano music, chamber music and songs, (Hyperion, CDA67008, 1998)
Sacred Choral Music of William Lloyd Webber, (Priory PRCD677, 1999)
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